SPECTACULUM MAGAZINE
ANTONIO NARDO // Italian photographer Antonio Nardo, based in Reggio Emilia, approaches photography with a curiosity that extends across genres. His work encompasses reportage, street photography, portraiture and landscape, reflecting an interest in both the human experience and the environments in which it unfolds. Antonio uses his camera to discover stories that might otherwise remain […]
AULIAK // For AULIAK, the artistic identity of Barcelona-based artist Matías Martínez Casais, photography begins with the body. The Argentinean artist, now based in Barcelona, came to photography through an international practice in dance, and that background remains fundamental to the way he constructs an image. His series Entegonia develops these ideas through a sequence […]
CARMELO MICIELI // Some photographers return to the same landscape because it is familiar. For Sicilian photographer Carmelo Micieli, the landscape is an inexhaustible conversation. Born in 1958 in Rosolini, he first picked up a camera at the age of twelve, photographing the marine and agricultural landscapes of southeastern Sicily that continue to shape his […]
DAISY PELUSO // Born and based in Italy, Daisy Peluso works at the intersection of folklore, anthropology, and visual experimentation. A graduate with honours from the Academy of Fine Arts in Lecce, her practice is rooted in a deep fascination with the past and in the cultural memory of her homeland. Through photography and material […]
ANTONIS GIAKOUMAKIS // Antonis Giakoumakis, a Greek photo artist, transitioned to photography after a lengthy career in informatics. Since 2012, he has consistently worked with the medium, cultivating a photographic language defined by patience, introspection, and a deep focus on the emotional resonance of images rather than their descriptive clarity. We are pleased to present […]
SOFIA ZAKHARCHUK // Born in Russia and now based in Calabria, Italy, Sofia Zakharchuk works at the intersection of psychology, symbolism, and visual intuition. Her photographic practice is rooted in a long-standing fascination with what lies beneath the visible surface — the subtle, often uneasy dialogue between inner states and external landscapes.
