SPECTACULUM MAGAZINE
RAFA ROJAS // Rafa Rojas does not photograph São Paulo the way it is usually sold to you. Based in Brazil, he moves between roles — photographer, curator, editor — but his work stays grounded in the same instinct: to look closer when everything around him pushes toward simplification. Cities like São Paulo tend to […]
Rowell B. Timoteo // Based in San Fernando, La Union in the Philippines, Rowell B. Timoteo did not arrive at photography through the well-worn path of art school and full-time practice. He works as a Labor and Employment Officer, a role grounded in structure, policy, and the practicalities of everyday life. Photography entered his world […]
MARK MARDON // Mark Mardon has spent most of his life in Portland, Oregon, building a steady professional life that, for a long time, left little room for uncertainty. He worked for decades in product development, improving and refining objects designed for other people’s needs, until that chapter ended abruptly. Photography, which in his practice […]
ANTONIS GIAKOUMAKIS // Antonis Giakoumakis, a Greek photo artist, transitioned to photography after a lengthy career in informatics. Since 2012, he has consistently worked with the medium, cultivating a photographic language defined by patience, introspection, and a deep focus on the emotional resonance of images rather than their descriptive clarity. We are pleased to present […]
HECTOR MORÓN // Héctor Morón is a Spain-based fine art photographer working with long exposure and intentional camera movement (ICM). Over recent years, he has developed a distinct photographic language in which reality is not recorded but translated. Streets, buildings, light, and human figures are treated as unstable elements—reshaped through motion, duration, and rhythm into […]
PAOLA FERRAROTTI // Paola Ferrarotti is an Argentinian photographer currently based in Frankfurt, Germany. Her practice is shaped by an academic background in Political Science, International Relations, Linguistics, and Literature — disciplines that have left a clear imprint on the way she approaches photography: as a language, a narrative structure, and a tool for introspection.
SPECTACULUM MAGAZINE 