SPECTACULUM MAGAZINE
ALMA BIBOLOTTI // Italian photographer Alma Bibolotti returns to Spectaculum Magazine with The Blue Dream, a series in which fragments of the natural world are transformed into enigmatic, deeply contemplative images. Flowers, shells, algae and feathers retain traces of their physical origins, yet they no longer belong entirely to the real world. Immersed in shades […]
AULIAK // For AULIAK, the artistic identity of Barcelona-based artist Matías Martínez Casais, photography begins with the body. The Argentinean artist, now based in Barcelona, came to photography through an international practice in dance, and that background remains fundamental to the way he constructs an image. His series Entegonia develops these ideas through a sequence […]
CARMELO MICIELI // Some photographers return to the same landscape because it is familiar. For Sicilian photographer Carmelo Micieli, the landscape is an inexhaustible conversation. Born in 1958 in Rosolini, he first picked up a camera at the age of twelve, photographing the marine and agricultural landscapes of southeastern Sicily that continue to shape his […]
DAISY PELUSO // Born and based in Italy, Daisy Peluso works at the intersection of folklore, anthropology, and visual experimentation. A graduate with honours from the Academy of Fine Arts in Lecce, her practice is rooted in a deep fascination with the past and in the cultural memory of her homeland. Through photography and material […]
SOFIA ZAKHARCHUK // Born in Russia and now based in Calabria, Italy, Sofia Zakharchuk works at the intersection of psychology, symbolism, and visual intuition. Her photographic practice is rooted in a long-standing fascination with what lies beneath the visible surface — the subtle, often uneasy dialogue between inner states and external landscapes.
LORENZO VITALI // Lorenzo Vitali has built a long, coherent body of work rooted in formal research, material awareness, and a disciplined conceptual approach. What distinguishes Vitali’s work is not subject matter per se, but method. He approaches photography as a form of visual analysis: observing structures, surfaces, and spatial relationships with almost architectural precision. […]
SPECTACULUM MAGAZINE 