SPECTACULUM MAGAZINE
BEAN X // For London-based artist and squatter Bean, photography is not just an artistic practice—it’s a personal, political, and emotional exorcism. Working with 35mm film and collaborators from the underground music and queer performance scene, they construct dreamlike tableaux where disorientation, dissociation, and desire converge in charged visual fragments. Their images feel like transmissions […]
A Portrait of Bhadohi’s Weaving Heritage SANJEEV KUMAR // Sanjeev Kumar is not merely an observer of craft—he is shaped by it. Born into a family of carpet artisans in Bhadohi, India’s “Carpet City”, his earliest memories are laced with colour pigments, wool fibres, and the rhythmic clatter of looms. Now based in Delhi and […]
NATHAN MURRELL // For British photographer Nathan Murrell, creativity began not behind a still camera, but in the moving image. He studied Film Production at university, originally intending to pursue a career as a cinematographer. The pull of visual storytelling was always there—framing a scene, shaping light, and evoking mood—but over time, photography became his […]
A Dialogue with My Father’s Lens ROEE MORAG // Roee Morag’s artistic practice spans painting, photography, collage, video, and sound, but it is the fertile in-between—where memory overlaps with image, and image dissolves into emotion—that his work finds its most poignant form. With Painted Memories, a recent photo-based series, Roee transforms personal family archives into […]
SIMONE BATINI // In his new photographic series Superhero Fragments, Italian photographer Simone Batini returns to Spectaculum Magazine with a striking visual narrative that explores the enduring power of pop culture icons.
NASOS KARABELAS // For Greek fine art photographer Nasos Karabelas, the human form is less a subject to be captured than a threshold to be crossed. Born in Pyrgos in 1992, Nasos has developed a distinct practice that delves into how the body can be transformed—bent, blurred, and fragmented—to reveal inner landscapes. Rather than capturing […]
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