SPECTACULUM MAGAZINE
SOFIA ZAKHARCHUK // Born in Russia and now based in Calabria, Italy, Sofia Zakharchuk works at the intersection of psychology, symbolism, and visual intuition. Her photographic practice is rooted in a long-standing fascination with what lies beneath the visible surface — the subtle, often uneasy dialogue between inner states and external landscapes.
PAOLA FERRAROTTI // Paola Ferrarotti is an Argentinian photographer currently based in Frankfurt, Germany. Her practice is shaped by an academic background in Political Science, International Relations, Linguistics, and Literature — disciplines that have left a clear imprint on the way she approaches photography: as a language, a narrative structure, and a tool for introspection.
LORENZO VITALI // Lorenzo Vitali has built a long, coherent body of work rooted in formal research, material awareness, and a disciplined conceptual approach. What distinguishes Vitali’s work is not subject matter per se, but method. He approaches photography as a form of visual analysis: observing structures, surfaces, and spatial relationships with almost architectural precision. […]
Callie Eh // Callie Eh is a Swiss-based Malaysian photographer whose passion for capturing authentic human stories was sparked by her extensive travels. What began as a hobby has blossomed into a profound way of seeing the world, connecting with people, and sharing moments of honesty and beauty through her lens. Callie’s photography is not […]
BEAN X // For London-based artist and squatter Bean, photography is not just an artistic practice—it’s a personal, political, and emotional exorcism. Working with 35mm film and collaborators from the underground music and queer performance scene, they construct dreamlike tableaux where disorientation, dissociation, and desire converge in charged visual fragments. Their images feel like transmissions […]
A Dialogue with My Father’s Lens ROEE MORAG // Roee Morag’s artistic practice spans painting, photography, collage, video, and sound, but it is the fertile in-between—where memory overlaps with image, and image dissolves into emotion—that his work finds its most poignant form. With Painted Memories, a recent photo-based series, Roee transforms personal family archives into […]
SPECTACULUM MAGAZINE 