SPECTACULUM MAGAZINE
BOHDAN NAHORNYI // Bohdan Nahornyi is a Ukrainian artist raised in Bilopyllia. He channels the raw immediacy of analogue photography to tell stories that are both personal and historically grounded. Using instant film and a range of analogue techniques, he creates images with a distinctly vintage aesthetic—intimate, fragile, and unfiltered reflections of life in Ukraine […]
BEAN X // For London-based artist and squatter Bean, photography is not just an artistic practice—it’s a personal, political, and emotional exorcism. Working with 35mm film and collaborators from the underground music and queer performance scene, they construct dreamlike tableaux where disorientation, dissociation, and desire converge in charged visual fragments. Their images feel like transmissions […]
A Dialogue with My Father’s Lens ROEE MORAG // Roee Morag’s artistic practice spans painting, photography, collage, video, and sound, but it is the fertile in-between—where memory overlaps with image, and image dissolves into emotion—that his work finds its most poignant form. With Painted Memories, a recent photo-based series, Roee transforms personal family archives into […]
IRINA CHEREMISINA // In her poignant mixed-media series Where Is My Home?, Ukrainian artist Irina Cheremisina unpacks the emotional residue of displacement. Now based in Spain, Irina’s journey as an artist is intimately entwined with her experience of war, loss, and identity. After losing her home in Donetsk in 2014 and later fleeing Ukraine in […]
ARRAYAH LLOYND // Arrayah is a lens based conceptual artist based in Naarm (Melbourne) Australia. Her work explores themes of memory, trauma, neurodivergence, the female experience and otherness. She works with altered/expanded photography, archival imagery and mixed media. For International Women´s Day 2024, which has as its theme “inspire inclusion” we are very proud to […]
NAOUAL PELEAU // Naoual, a photo artist based in France, loves to experiment with one of the oldest photographic techniques, anthotypes, which uses natural leaves and sometimes sap to create images. With her “dead leaves” series she speaks to the ephemeral nature of natural beauty.
SPECTACULUM MAGAZINE 